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Represented by Foenander Galleries, Auckland, NZ

Represented by Muse Gallery, Havelock North, NZ


MA in Interior Design at Manchester Metropolitan University. Undertook sculpture and installation projects related to interiors and architecture. 1996-1997


Glasgow School of Art with a BA Honours Degree in Fine Art Sculpture 1988-1992

Other projects are a five-year collaboration with artists, designers and architects under the name of 'Transit' in Manchester, UK and an ongoing project called 'vollov'. Vollov is an experimental project investigating aspects of the built environment and our visual and physical interactions in the city.



Text from solo exhibition at Foenander Galleries, Auckland, NZ

Red Moss – Foenander Galleries  October 2023


Robertson’s new exhibition: Red Moss exhibition circles around themes of research, public art and public accessibility in and around different areas of Auckland. Within these themes are concepts looking at people and environment, and the nature of society. 

One of the central ideas behind several works in this exhibition is influenced by an exploration of Bledisloe House. The paradox of this purpose-built council building, constructed in the “Modern” style was what initially intrigued Robertson. Conversations about the building revealed varied opinions on its heritage status and iconic presence. Adding to the intrigue, was the presence of Guy Ngan’s public art frieze on the rooftop penthouse, inaccessible to the public. The search for access to the frieze became a small project in itself and inspired the making of two wall relief works: Public society Service #1 & 2 

An ongoing interest in Auckland Council’s Unitary Plan became an extension of the research of this project, exploring the concepts and nature of the sculptural work, which sits somewhere in the middle ground, between art and architecture.  Ideas of art in society and art about society are contained in some of the works and act as a simple documentation of thoughts and subjects which connect to the sociological subject of what is a society.


Robertson is also interested in the human process of translating ideas to real form to phenomenological perception, via the viewer’s response. The natural abstraction in this process is manifest in the physical and three-dimensional responses in the exhibition, which aim to evaluate the space between person, art and environment. As such these works seem to activate the space around them, bridging the gap between internal and external worlds, allowing those of us in their field of influence to be more aware of our place in our surroundings. 


Together with this exploration of union between people, structure and architecture, these playful and sometime humorous works, relate to urban development and its prioritising of systems and structure as an organising principal. In this respect, Robertson choice of materials: concrete, plaster, wood & resin, connect universal components used in building and manufacture to the individual.



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